Justine Triet’s austere, methodical thriller – which won the Palme d’Or at this year’s Cannes Film Festival – finds a woman put on trial for her husband’s mysterious death
Justine Triet’s austere, methodical thriller – which won the Palme d’Or at this year’s Cannes Film Festival – finds a woman put on trial for her husband’s mysterious death
This is a toned-down, more limply palatable iteration of William Friedkin’s 1973 classic: the projectiled pea soup is gone, the verbal abuse has been whittled down to a single ‘c***ing’, and any and all acts committed with crucifixes barely register a shock
This is a toned-down, more limply palatable iteration of William Friedkin’s 1973 classic: the projectiled pea soup is gone, the verbal abuse has been whittled down to a single ‘c***ing’, and any and all acts committed with crucifixes barely register a shock
Washington, playing a trained killer and sort-of life coach, reunites with his ‘Man on Fire’ co-star Dakota Fanning in Antoine Fuqua’s baroque actioner
Washington, playing a trained killer and sort-of life coach, reunites with his ‘Man on Fire’ co-star Dakota Fanning in Antoine Fuqua’s baroque actioner
This is funny and sharp filmmaking, but John Boyega’s central performance lends it a real streak of despair
This is funny and sharp filmmaking, but John Boyega’s central performance lends it a real streak of despair
For a film with such a generic title, Rob Savage’s follow-up to ‘Dashcam’ is well-constructed, well-acted and good for a few frights
For a film with such a generic title, Rob Savage’s follow-up to ‘Dashcam’ is well-constructed, well-acted and good for a few frights
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